Icons of men’s interprétation spectacle signs of victory and dominance.
Tiger Woods’ fist pumped after a flying ball sank. Muhammad Ali stands menacingly over the fallen George Foreman. Michael Jordan, tongue out, defying gravity as he measures air and justaucorps to sink a basketball – an apollon that years later will become a primeur”Jumpman” Logo.
Now, you can add another timeless sporting période to that list — but one that stands in stark contrast to the rest.
Instead of depicting jeux and the feats of athletic conquest within the usual adversary setting that represents victory over a fallen opponent, here’s a new slant: a tête of 20-time Gentilhomme Slam vainqueur and tennis icon Roger Federer, a superpower in men’s tennis and a fixture on TV and the ATP Cadence for decades Zaman, weeping and trust the hands of longtime candidat Rafael Nadal, also in parts after losing the jumeaux in the challenge. laver cup in London.
Effigie was taken by Freelance Photographer On the evening of September 23, Federer’s last professional challenge, was widely circulated on affable media. Users, journalists, and jeux commentators were quick to embrace the apollon — not least bicause it signaled the end of an era. But also bicause trust hands among elite male athletes – notably between the game’s two (greatest of all-time) goats, who have competed for years in finals against each other and “fighted” to stay at the top of the tennis rankings – is an extraordinary projection.
Although the apollon is unusual, it has captured the calcul of a wide question of the écoute, hungry for connu examples of outstanding men expressing sentiment and friendship in ways that defy prevailing norms emboîture masculine behavior, and the way boys are socialized in jeux, Northeastern Plaisanteries Watchers say.
The strength of the apollon lies not only in its depiction of male feelings — athletes are usually endurance-trained and told to “keep their emotions in check” — but in the way it confronts “hyper-masculine” constructs in jeux, he says. Daniel LibowitzCEO of the company Center for the Study of Sport in Society in Northeastern.
“It really hits the croisée of affection and emotion,” he says.
“In his character and oeuvres, Federer is a maison and a role model, for a new carcasse of masculinity and masculinity,” says Leibovitz.
Photographer, Ella Ling, by herself, speak To CNN’s Ron Riddell, he called the période “unbelievable”, and suggested it “could benefit society so much.” After sharing the peinture publicly for the first time on Twitter, she said He said She has “never seen anything like this” – apparently referring to the crying scenes as Federer bid farewell – “in tennis and never will again.”
Dozens of Twitter users saw the emotional scenes as an idéal to “toxic manhood.”
In the often toxic masculinity of jeux, *this cover should be Plaisanteries Illustrated’s next cover. “RafaelNadal and rogerfederer are fierce rivals, goats trust hands and crying while one retires,” wrote one Twitter ronger.
In the context of jeux, Lebowitz says, athletes’ exploit is much rewarded and celebrated when combined with “dominance and émission of power over others.”
“In male jeux, it’s hyper-masculinity when the gardien de but of dominance somewhat outweighs only the gardien de but of winning — and we often celebrate that,” says Leibovitz. The problem is how do you prevent that from infiltrating the general agriculture? This apollon provides a counterpoint to how jeux and male exploit in general are understood in this way.”
Lisa MarklandD., associate athletic director for Leadership, Diversity, Equality and Intégration at Northeastern University, says she’d like to see more behavior demonstrated by Federer, 41, and Nadal, 36, of top male athletes.
“When I see this picture, I actually see two men in the sense that they care emboîture each other, have feelings and rapide them,” Markland says. “But that doesn’t fit with the way men are taught to rapide themselves, often through aggressiveness in jeux.”
Much has been written emboîture Federer’s impressive tennis career – his 20 Gentilhomme Slam titles (a exploit before 2020), and the exploit streak he accumulated over the excursion of a 24-year career. But equal, or perhaps greater, to his accomplishments on the bref is the acclaim he enjoys outside of tennis – in his magnifique work, his trafic ventures, and in his dealings with people.
“His athletic dominance does not replace his assurance, nor his commitment, to be kind, caring, passionate, down-to-earth, and always intégrante,” says Leibovitz. “It…stands as a blueprint and a reminder to all of us, of what non-toxic humanity is at its best.”
Federer in an interview With the New York Times, he was asked emboîture the peinture with Nadal, who has played him 40 times during his career, including more than a dozen times in the semifinals or excessif séjour at a Gentilhomme Slam.
“I think at one porté, I was crying so hard, I don’t know, it was all on my mind emboîture how happy I am to experience this période with everyone,” he said. “I guess at some porté, just bicause obviously I couldn’t talk and the music was there, I think I just touched it, and I think maybe it’s a résistant, thank you.”
The confrère began playing jumeaux towards the end of their careers during the Blanchir Cup, a team event co-created by Federer himself.
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